Abstract
Sigmund Freud and Jacque Lacan might have felt that this divine music was a yet unspoken linguistics symbol and form of meaning, and its phallus-transcending characteristics belonged to the feminine jouissance of the body. It was an unsaid state that had not yet entered a symbolic system, and was composed or led by the intersection of all kinds of impulses and desires. But to Kristeva, the sound is indeed a “yet unknown region of creative impulse.” Her meaning is the womb, the mother’s nurturing life, and space containing energy, in which only sound or rhythm can manifest this state of existence. From the point of view of Luce Irigaray, this feminine context can be examined using a “speculum,” and after using it the deconstruction strategy of eliminating principle, God, transcendence, the phallus, and symbolic order highlights the subconscious level of the feminine “Other” and its fluid cognitive values. After transcending masculine thinking, the feminine deficient (absent) space will receive unprecedented respect and acceptance. To H?1?ne Cixous, this IS an “?criture f?minine” written in “white ink”; it cannot be interrupted, it is endless, and it doesn’t need grammar. Its freely flowing text makes people feel blissfully intoxicated.