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「我是棄」──論駱以軍《棄的故事》之主體認同與遺棄美學
Conference paper

「我是棄」──論駱以軍《棄的故事》之主體認同與遺棄美學

「主體與他者:兩岸當代詩學術研討會」 臺灣文學研究, (5), pp.303-333
01/12/2013

Abstract

棄的故事;主體性;遺棄美學;鏡像階段;賤斥;The Story of the Abandoned;Subjectivity;Aesthetics of the Abandoned;Mirror stage;Abjection

“I am the abandoned”: On Luo Yijun’s Subjectivity and Aesthetics of the Abandoned in The Story of the Abandoned The Taiwanese novelist Luo Yijun republished his first poetry collection, The Story of the Abandoned, in 2013 and claimed many times the special significance of poetry to his own life. Statements like poetry as his youngest daughter and poetry as the primary form of flat, constrained life may sound strange, but could be inspiriting to the researchers who aim to explore the meaning of poetry writing for Luo Yijun. With reference to psychoanalytic theory, this paper intends to explicate Luo Yijun’s self-consciousness of being abandoned and the way in which he reconstructs his subjectivity by returning to the primary form of life. Based on the theory of abjection, this paper further explores how Luo Yijun accomplishes his aesthetics of the abandoned through the ruthless uncovering of the filthy and the unceasing writing of the abandoned and being abandoned.

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