Abstract
On the end of the 20th century, Roan Ching-Yue’s works was just paid attention; in fact, he concentrates on literature for a long time. Besides, he continues to promote the crossover of architecture and literature. For a long time, the academic investigators almost focus on the whole styles of his writing. In recent years, some investigators started to explore the crossover relation of literature and architecture in his works. If we peruse his novels, we can find the intense feature of gender writing. However, there are rare studies about focusing on the gander writing of his works. This study tries to use the concepts of space and gender to explore Roan Ching-Yue’s works of gender writing. It focuses on a series of novels that have the same style, and it attempts to discover the major concept. Moreover, this study also explores the work: “Displaced: Ruins, Remnants, Literature” which has the most relation of space in Roan Ching-Yue’s works and also contains the feature of gender writing. By dealing with these works, we will deeply observe the features of space and gender. This study cites the concept of Michel Foucault’s heterotopias as the basis of exploring the gender writing. By this way, it explores the relation of gender and power. Furthermore, all along the theme of homosexuality in Roan Ching-Yue’s works attracts investigators’ less attention, and it’s also the main object of this study trying to survey. By perusing, this study attempts to develop different perspectives that are ignored through quoting copiously. Through the deeply exploring of this study, hope the other investigators could find the position of Roan Ching-Yue’s works on the history of Tongzhi literature in Taiwan.