Abstract
The present thesis aims to expound the conception of “Qi-Liang style” is not equal to “Qi-Liang Poems”, it should cover a more wide range of poems and notion. For instance, some poets have written poems in “Qi-Liang Style” in T'ang dynasty, we should not just skip that when we discuss the “Qi-Liang Style”, or our comprehension of it will be inaccurate and imprecise. For this reason the thesis focus on those poems which be ignored for a long time, and try to explore the conception of “Qi-Liang Style” in in T'ang dynasty, however, we can’t find a solid definition of it because every poet has their own interpretation of “Qi-Liang Style”, hence we can only describe the evolvement of “Qi-Liang Style” in T'ang dynasty, but in the end we still find some mutual characteristics about the rules of poetic composition in those poems.