Abstract
This paper attempts to analyze the ＂Lee Gedi＂ the identity of meaning, the object is ＂This Zebra＂'s self-sectional articles and lyrics. This paper argues that Xsiu-Yu's continuous self- breakthrough poetry intention, in fact, the same practice in ＂This Zebra＂, I found Xsiu-Yu attempt to use ＂obscene songs＂ revolt ＂poetry＂. This paper mainly uses the Freudian psychoanalytic theory in the ＂Mass Psychology＂ concept, and expand dialogue with previous studies, looking forward to find a psychoanalytic interpretation of the path. This paper concluded that ＂Lee Gedi＂ has gone from ＂song writer＂, ＂another Xsiu-Yu,＂ and grew to become enough to rival Xsiu-Yu another subject, and was given ＂poet＂ status.