Abstract
This paper examines the abundant depictions of "Daxue" in the history of Korean Confucianism, analyzing the diagrams by Gwon Gyeong (1352-1409) and Zhu Xi (1130-1200) and the reasons for subsequent scholars' continuous revision and development trends.Kwon Geun's diagram adopts “Three Guidelines” with three main principles displayed in parallel, emphasizing the sequential process and stages of self-cultivation, on the other hand, Zhu Xi's diagram follows a four-part framework centered on " attaining Ultimate Goodness ", focusing on the division of the "Eight Goals".After the 18th century, the depictions of diagrams of "Daxue" tend to integrate the characteristics of these two types, aiming to align with the content of Zhu Xi's “Daxue Zhangju” while also conveying the sequential order of self-cultivation. This trajectory provides insights into the development of diagrams of "Daxue" in the history of Korean Confucianism.