Abstract
The Chen Dawei poem pen comes in and goes out the history unceasingly with immediately, China and the southern coastal provinces, Taiwan and the southern coastal provinces and so on multiple realities and the imagination entanglement space, constructs its narrative esthetics. Here attempts in view of Chen Dawei in the poem “China” the mark, searches the so-called central/edge again consciousness ownership, tries from the cultural motherland/separate literature dual opposition bracelet which too simplifies to come out, to observe it to write the position the fluidity.